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女性主義與當代藝術 Feminism and Contemporary Art

Page history last edited by Elsa Chen 15 years, 1 month ago

 

科目名稱:女性主義與當代藝術研究        □必修   R選修   教師:  陳香      

任課班級:跨藝碩二

每學期開課學分數:上學期  學分     下學期 3 學分

總學分數:  3  學分   每週上課時數:  3  小時     

上課時間:每週五下午130420             教室:  藝術學院5216  

連繫電話:07-71729303034

辦公地點:5216         

辦公時間(Office hour):事先預約 elsahcchen@gmail.com

 

 

 

 

※※請遵守智慧財產權觀念、不得非法影印※※

 

 

一、教學目標:本課程旨在介紹與討論1960年代來英美女性主義與LGBT思潮如何改變當代藝術的面貌。

 

 

二、教材內容:文獻、影音素材

 

 

三、實施方法:報告、討論與講授(seminars);文獻導讀

 

 

四、評量方式:課前閱讀及課堂參與(20%)、口頭報告與帶討論(15%)、期中報告(25%;3000-4000字;51交)、期末研究報告(40%;6000-8000字;626交)

使用她/他人觀點與文章,必須引注清楚。切勿抄襲。

 

 

 

 

五、教學進度與閱讀書目

 

 

背景閱讀:

E. H. Gombrich, The Story of Art, Phaidon, 1995. 雨芸譯,《藝術的故事》,台北:聯經,2008新版。

Guerrilla Girls, The Guerrilla Girls' Bedside Companion to the History of Western Art, New York: Penguin, February 1, 1998. 謝鴻均譯,《游擊女孩:床頭版西洋美術史》,台北:遠流,2000.

Whitney Chadwick, Women, Art, and Society, London: Thames & Hudson, 4th edition, 1990/2007. 李美蓉譯,《女性、藝術與社會》,台北:遠流,1995.

 

 

1.     2/27       課程簡介

 

 

2.     3/6           藝術裡的性/別差異1

Whitney Chadwick, Women, Art, and Society, London: Thames & Hudson, 4th edition, 1990/2007, intro. 李美蓉譯,《女性、藝術與社會》,台北:遠流,1995,頁1-42.

Linda Nochlin, ‘Why Have There Been No Women Artists?,’ Woman, Art, and Power and Other Essays, London & New York: Thames and Hudson. 1989, 諾克林,〈為什麼沒有偉大的女性藝術家〉,游惠貞譯,《女性、藝術與權力》,台北:遠流,1995,頁187-221

 

 

3.          3/13         藝術裡的性/別差異2

Griselda Pollock, Vision and Difference: Femininity, Feminism, and the Histories of Art, London: Routledge, 1988, Ch.1&2, pp. 1-17; 18-49. (hereafter VD) 陳香君譯,《視線與差異》,台北:遠流,2000,頁1-28; 29-79

Carol Duncan, ‘The Modern Art Museum: It’s A Man’s World,’ in Carol Duncan, Civilizing Rituals: Inside Public Art Museums, London & New York, 1995. 卡洛‧鄧肯,《現代美術館:是個男人的世界》,王雅各譯,《文明化的儀式:公共美術館之內》,台北:遠流,1998,頁191-243

 

 

4.          3/20        藝術裡的性/別差異3

Whitney Davis, “‘Homosexuality,’ Gay and Lesbian Studies, and Queer Theory in Art History,” in Mark A. Cheetham, Michael Ann Holly, and Keith Moxey (eds.), The Subjects of Art History: Historical Objects in Contemporary Perspective, Cambridge: Cambridge University Press, 1998, pp. 115-142.

 

 

5.          3/27         美國女性主義藝術運動1

Norma Broude and Mary Garrard, The Power of Feminist Art: the American Movement of the 1970s, History and Impact, Harry N Abrahams, 1994, pp. 10-29; 48-65; 140-157; 158-165.

        Womanhouse

        http://suzannelacy.com/index.htm

        http://www.caroleeschneemann.com/

        http://www.judychicago.com/

        http://en.wikipedia.org/wiki/Louise_Bourgeois

        http://www.marybethedelson.com/

 

6.          4/3           美國女性主義藝術運動2

同第5

        Keywords: Judy Chicago, Carolee Schneemann, Mary Beth Edelson, Suzanne Lacy, Louise Bourgeois...  

 

7.          4/10         英國女性藝術運動1

Rosika Parker and Griselda Pollock (eds.), Framing Feminisms: Art and the Women’s Movement 1975-1980, London: Pandora, 1987, pp. 3-78.

 

 

8.          4/17         英國女性藝術運動2

同第7

 

 

9.          4/24        觀看、視線

John Berger, Ways of Seeing, London: BBC, 1972. 戴行鉞譯,《藝術觀賞之道》,台北:台灣商務印書館,1993。另有吳莉君(麥田);陳志梧(明文);林鎮國(當代雜誌)等譯本。

Laura Mulvey, ‘Visual Pleasure and Narrative Cinema,’ Screen, 16:3, 1975, pp. 6-18.

        Vertigo (1958) by Hitchcock; Youtube 上的影片,分12段:

 

 

http://www.youtube.com/watch?v=E2wmqPNnKRk&feature=related 

http://www.youtube.com/watch?v=WNdTg_O8lTI&feature=related

http://www.youtube.com/watch?v=OtVqLQcZreM&feature=related

http://www.youtube.com/watch?v=a9SNGcNKeug&feature=related

http://www.youtube.com/watch?v=VIFykRJvk_k&feature=related

http://www.youtube.com/watch?v=EWDn-YxIjAA&feature=related

http://www.youtube.com/watch?v=T-EEmb7aGnA&feature=related

http://www.youtube.com/watch?v=wzg-l93yFvo&feature=related

http://www.youtube.com/watch?v=mbI3C3pCg_8&feature=related

http://www.youtube.com/watch?v=JeL3YkqoUlE&feature=related

http://www.youtube.com/watch?v=NPXpKurnO4c&feature=related

http://www.youtube.com/watch?v=ryUL2csu_ns&feature=related

 

 

        John Berger 的ways of seeing,第2和3章;Youtube上有影片episode 2 on female nude分四段,網址如下:

http://www.youtube.com/watch?v=u72AIab-Gdc&feature=related

http://www.youtube.com/watch?v=aHsV7ljusCs&feature=related

http://www.youtube.com/watch?v=h1yvciNEuAs&feature=related

http://www.youtube.com/watch?v=hNZNB-SfC7w&feature=related

 

 

10.      5/1           視線、空間 Midterm Paper Due

VD, Ch. 3, pp. 50-90. 陳香君譯,《視線與差異》,台北:遠流,2000,頁81-144

 

 

11.      5/8           同志再現

David Hockney六零到七零年代初作品中的同性情慾與殖民意識:彭康家(高師大美研所三年級)讀本TBA

James M. Saslow, ‘“Disagreeably Hidden”: Construction and Constriction of the Lesbian Body in Rosa Boneur’s Horse Fair,’ in Norma Broude & Mary Garrard, The Expanding Discourse: Feminism and Art History, New York: Harper Collins, 1992, pp. 187-207. (hereafter TED) 謝鴻均譯,《擴充論述:女性主義與藝術歷史I》,台北:遠流,1998,頁365-402.

 

 

12.      5/15         男性身體、女性異性戀情慾

Richard Myer, ‘Hard Targets: Male Bodies, Feminist Art, and the Force of Censorship in the 1970s,’ in Corneilia Butler (ed.), WACK! Art and Feminist Revolution, London & Cambridge, Massachusetts: The Museum of Contemporary Art, 2007, pp. 362-383. (herafter WACK)

        好妹報告

 

13.      5/22         女性身體再現

Josephine Withers, ‘Judy Chicago’s Dinner Party: A Personal Vision of Women’s History,’ in TED, pp. 451-466. 陳香君、汪雅玲、余珊珊等譯,《擴充論述:女性主義與藝術歷史II》,台北:遠流,1998,頁871-901.

VD, Ch. 7, 陳香君譯,《視線與差異》,台北:遠流,2000,第七章。

 

 

14.      5/29         端午節彈性放假一天

6/6           補課一天        女性自拍像

劉瑞琪,《陰性顯影-女性攝影家的扮裝自拍像》,台北:遠流出版,2004,頁11-2729-99

 

 

15.      6/5           隱藏的身體

Rosemary Betterton, ‘Bodies in the Work: The Aesthetics and Politics of Women’s Non-Representational Painting,’ in An Intimate Distance: Women, Artists and the Body, London & New York, 1996, pp. 79-105.

 

 

16.      6/12        後/殖民

Abigail Solomon-Godeau, ‘Going Native: Paul Gauguin and the Invention of Primitivist Modernism,’; Peter Brooks, ‘Gauguin’s Tahitian Body,’ in TED, pp. 313-330; 331-346. 陳香君、汪雅玲、余珊珊等譯,《擴充論述:女性主義與藝術歷史II》,台北:遠流,1998,頁605-636; 637-664.

Kobena Mercer, “Just Looking for Trouble: Robert Mapplethorpe and Fantasies of Race,” in Dangerous Liaisons: Gender, Nation, and Postcolonial Perspectives, Minneapolis and London: University of Minnesota Press, 1997, pp. 240-52.

 

 

17.      6/19        後/殖民

Marilynn Lincoln Board, ‘Constructing Myths and Ideologies in Matisse’s Odalisques,’ in TED, pp. 359-380. 馬莉琳‧林肯‧柏德,〈架構在馬蒂斯奴婢畫上的想像和意識型態〉,陳香君、汪雅玲、余珊珊等譯,《擴充論述:女性主義與藝術歷史II》,台北:遠流,1998,頁689-729.

Valerie Smith, ‘Abundant Evidence: Black Women Artists of the 1960s and 70s,’ in WACK, pp. 400-413.

 

 

18.      6/26         End of Term DiscussionFinal Paper Due

Maura Reilly, ‘Toward Transnational Feminisms,’ in Maura Reilly and Linda Nochlin (eds.), Global Feminisms: New Directions in Contemporary Art, London & New York: Merrell & Brooklyn Museum, 2007, pp. 15-45.

 

 

六、參考書目

E. H. Gombrich, The Story of Art, Phaidon, 1995. 雨芸譯,《藝術的故事》,台北:聯經,2008新版。

Guerrilla Girls, The Guerrilla Girls' Bedside Companion to the History of Western Art, New York: Penguin, February 1, 1998. 謝鴻均譯,《游擊女孩:床頭版西洋美術史》,台北:遠流,2000.

Whitney Chadwick, Women, Art, and Society, London: Thames & Hudson, 4th edition, 1990/2007. 李美蓉譯,《女性、藝術與社會》,台北:遠流,1995.

Linda Nochlin, Woman, Art, and Power and Other Essays, London & New York: Thames and Hudson. 1989. 游惠貞譯,《女性、藝術與權力》,台北:遠流,1995

Griselda Pollock, Vision and Difference: Femininity, Feminism, and the Histories of Art, London: Routledge, 1988. 陳香君譯,《視線與差異》,台北:遠流,2000

Carol Duncan, Civilizing Rituals: Inside Public Art Museums, London & New York, 1995. 王雅各譯,《文明化的儀式:公共美術館之內》,台北:遠流,1998

Mark A. Cheetham, Michael Ann Holly, and Keith Moxey (eds.), The Subjects of Art History: Historical Objects in Contemporary Perspective, Cambridge: Cambridge University Press, 1998.

Norma Broude and Mary Garrard, The Power of Feminist Art: the American Movement of the 1970s, History and Impact, Harry N Abrahams, 1994.

Rosika Parker and Griselda Pollock (eds.), Framing Feminisms: Art and the Women’s Movement 1975-1980, London: Pandora, 1987.

John Berger, Ways of Seeing, London: BBC, 1972. 戴行鉞譯,《藝術觀賞之道》,台北:台灣商務印書館,1993。另有吳莉君(麥田);陳志梧(明文);林鎮國(當代雜誌)等譯本。

Laura Mulvey, ‘Visual Pleasure and Narrative Cinema,’ Screen, 16:3, 1975, pp. 6-18.

Norma Broude & Mary Garrard, The Expanding Discourse: Feminism and Art History, New York: Harper Collins, 1992. 謝鴻均、陳香君、汪雅玲、余珊珊譯,《擴充論述:女性主義與藝術歷史I II》,台北:遠流,1998

Corneilia Butler (ed.), WACK! Art and Feminist Revolution, London & Cambridge, Massachusetts: The Museum of Contemporary Art, 2007.

劉瑞琪,《陰性顯影-女性攝影家的扮裝自拍像》,台北:遠流出版,2004,頁11-2729-99

Harrison G. Pope, Katharine A. Phillips, Roberto Olivardia, and Roberto Olivar, The Adonis Complex: The Secret Crisis of Male Body Obsession, Simon & Schuster Ltd; New edition edition, 17 Jun 2002. 但唐謨,《猛男情結》,台北:性林,2001.

Kobena Mercer, Dangerous Liaisons: Gender, Nation, and Postcolonial Perspectives, Minneapolis and London: University of Minnesota Press, 1997.

Maura Reilly and Linda Nochlin (eds.), Global Feminisms: New Directions in Contemporary Art, London & New York: Merrell & Brooklyn Museum, 2007.

 

 

七、相關連結

A. Exhibitions

WACK! Art and the Feminist Revolution

Global Feminisms: New Directions in Contemporary Art

 

 

B. Journals

N. Paradoxa_Journal

N. Paradoxa_Blog

 

 

 

 

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