科目名稱：女性主義與當代藝術研究 □必修 R選修 教師： 陳香君
任課班級：跨藝碩二
每學期開課學分數：上學期 學分 下學期 3 學分
總學分數： 3 學分 每週上課時數： 3 小時
上課時間：每週五下午1：30至4：20 教室： 藝術學院5216
連繫電話：07-7172930轉3034
辦公地點：5216
辦公時間（Office hour）：事先預約 elsahcchen@gmail.com
※※請遵守智慧財產權觀念、不得非法影印※※
一、教學目標：本課程旨在介紹與討論1960年代來英美女性主義與LGBT思潮如何改變當代藝術的面貌。
二、教材內容：文獻、影音素材
三、實施方法：報告、討論與講授（seminars）；文獻導讀
四、評量方式：課前閱讀及課堂參與（20％）、口頭報告與帶討論（15％）、期中報告（25％；3000-4000字；5月1日交）、期末研究報告（40％；6000-8000字；6月26日交）
使用她／他人觀點與文章，必須引注清楚。切勿抄襲。
五、教學進度與閱讀書目
背景閱讀：
E. H. Gombrich, The Story of Art, Phaidon, 1995. 雨芸譯，《藝術的故事》，台北：聯經，2008新版。
Guerrilla Girls, The Guerrilla Girls' Bedside Companion to the History of Western Art, New York: Penguin, February 1, 1998. 謝鴻均譯，《游擊女孩：床頭版西洋美術史》，台北：遠流，2000.
Whitney Chadwick, Women, Art, and Society, London: Thames & Hudson, 4th edition, 1990/2007. 李美蓉譯，《女性、藝術與社會》，台北：遠流，1995.
1. 2/27 課程簡介
2. 3/6 藝術裡的性／別差異1
Whitney Chadwick, Women, Art, and Society, London: Thames & Hudson, 4th edition, 1990/2007, intro. 李美蓉譯，《女性、藝術與社會》，台北：遠流，1995，頁1-42.
Linda Nochlin, ‘Why Have There Been No Women Artists?,’ Woman, Art, and Power and Other Essays, London & New York: Thames and Hudson. 1989, 諾克林，〈為什麼沒有偉大的女性藝術家〉，游惠貞譯，《女性、藝術與權力》，台北：遠流，1995，頁187-221。
3. 3/13 藝術裡的性／別差異2
Griselda Pollock, Vision and Difference: Femininity, Feminism, and the Histories of Art, London: Routledge, 1988, Ch.1&2, pp. 1-17; 18-49. (hereafter VD) 陳香君譯，《視線與差異》，台北：遠流，2000，頁1-28; 29-79。
Carol Duncan, ‘The Modern Art Museum: It’s A Man’s World,’ in Carol Duncan, Civilizing Rituals: Inside Public Art Museums, London & New York, 1995. 卡洛‧鄧肯，《現代美術館：是個男人的世界》，王雅各譯，《文明化的儀式：公共美術館之內》，台北：遠流，1998，頁191-243。
4. 3/20 藝術裡的性／別差異3
Whitney Davis, “‘Homosexuality,’ Gay and Lesbian Studies, and Queer Theory in Art History,” in Mark A. Cheetham, Michael Ann Holly, and Keith Moxey (eds.), The Subjects of Art History: Historical Objects in Contemporary Perspective, Cambridge: Cambridge University Press, 1998, pp. 115-142.
5. 3/27 美國女性主義藝術運動1
Norma Broude and Mary Garrard, The Power of Feminist Art: the American Movement of the 1970s, History and Impact, Harry N Abrahams, 1994, pp. 10-29; 48-65; 140-157; 158-165.
Womanhouse
http://suzannelacy.com/index.htm
http://www.caroleeschneemann.com/
http://www.judychicago.com/
http://en.wikipedia.org/wiki/Louise_Bourgeois
http://www.marybethedelson.com/
6. 4/3 美國女性主義藝術運動2
同第5週
Keywords: Judy Chicago, Carolee Schneemann, Mary Beth Edelson, Suzanne Lacy, Louise Bourgeois...
7. 4/10 英國女性藝術運動1
Rosika Parker and Griselda Pollock (eds.), Framing Feminisms: Art and the Women’s Movement 1975-1980, London: Pandora, 1987, pp. 3-78.
8. 4/17 英國女性藝術運動2
同第7週
9. 4/24 觀看、視線
John Berger, Ways of Seeing, London: BBC, 1972. 戴行鉞譯，《藝術觀賞之道》，台北：台灣商務印書館，1993。另有吳莉君（麥田）；陳志梧（明文）；林鎮國（當代雜誌）等譯本。
Laura Mulvey, ‘Visual Pleasure and Narrative Cinema,’ Screen, 16:3, 1975, pp. 6-18.
Vertigo (1958) by Hitchcock; Youtube 上的影片，分12段：
http://www.youtube.com/watch?v=E2wmqPNnKRk&feature=related
http://www.youtube.com/watch?v=WNdTg_O8lTI&feature=related
http://www.youtube.com/watch?v=OtVqLQcZreM&feature=related
http://www.youtube.com/watch?v=a9SNGcNKeug&feature=related
http://www.youtube.com/watch?v=VIFykRJvk_k&feature=related
http://www.youtube.com/watch?v=EWDn-YxIjAA&feature=related
http://www.youtube.com/watch?v=T-EEmb7aGnA&feature=related
http://www.youtube.com/watch?v=wzg-l93yFvo&feature=related
http://www.youtube.com/watch?v=mbI3C3pCg_8&feature=related
http://www.youtube.com/watch?v=JeL3YkqoUlE&feature=related
http://www.youtube.com/watch?v=NPXpKurnO4c&feature=related
http://www.youtube.com/watch?v=ryUL2csu_ns&feature=related
John Berger 的ways of seeing,第2和3章；Youtube上有影片episode 2 on female nude分四段，網址如下：
http://www.youtube.com/watch?v=u72AIab-Gdc&feature=related
http://www.youtube.com/watch?v=aHsV7ljusCs&feature=related
http://www.youtube.com/watch?v=h1yvciNEuAs&feature=related
http://www.youtube.com/watch?v=hNZNB-SfC7w&feature=related
10. 5/1 視線、空間 （Midterm Paper Due）
VD, Ch. 3, pp. 50-90. 陳香君譯，《視線與差異》，台北：遠流，2000，頁81-144。
11. 5/8 同志再現
David Hockney六零到七零年代初作品中的同性情慾與殖民意識：彭康家（高師大美研所三年級）讀本TBA
James M. Saslow, ‘“Disagreeably Hidden”: Construction and Constriction of the Lesbian Body in Rosa Boneur’s Horse Fair,’ in Norma Broude & Mary Garrard, The Expanding Discourse: Feminism and Art History, New York: Harper Collins, 1992, pp. 187-207. (hereafter TED) 謝鴻均譯，《擴充論述：女性主義與藝術歷史I》，台北：遠流，1998，頁365-402.
12. 5/15 男性身體、女性異性戀情慾
Richard Myer, ‘Hard Targets: Male Bodies, Feminist Art, and the Force of Censorship in the 1970s,’ in Corneilia Butler (ed.), WACK! Art and Feminist Revolution, London & Cambridge, Massachusetts: The Museum of Contemporary Art, 2007, pp. 362-383. (herafter WACK)
好妹報告
13. 5/22 女性身體再現
Josephine Withers, ‘Judy Chicago’s Dinner Party: A Personal Vision of Women’s History,’ in TED, pp. 451-466. 陳香君、汪雅玲、余珊珊等譯，《擴充論述：女性主義與藝術歷史II》，台北：遠流，1998，頁871-901.
VD, Ch. 7, 陳香君譯，《視線與差異》，台北：遠流，2000，第七章。
14. 5/29 端午節彈性放假一天
6/6 補課一天 女性自拍像
劉瑞琪，《陰性顯影－女性攝影家的扮裝自拍像》，台北：遠流出版，2004，頁11-27；29-99。
15. 6/5 隱藏的身體
Rosemary Betterton, ‘Bodies in the Work: The Aesthetics and Politics of Women’s Non-Representational Painting,’ in An Intimate Distance: Women, Artists and the Body, London & New York, 1996, pp. 79-105.
16. 6/12 後／殖民
Abigail Solomon-Godeau, ‘Going Native: Paul Gauguin and the Invention of Primitivist Modernism,’; Peter Brooks, ‘Gauguin’s Tahitian Body,’ in TED, pp. 313-330; 331-346. 陳香君、汪雅玲、余珊珊等譯，《擴充論述：女性主義與藝術歷史II》，台北：遠流，1998，頁605-636; 637-664.
Kobena Mercer, “Just Looking for Trouble: Robert Mapplethorpe and Fantasies of Race,” in Dangerous Liaisons: Gender, Nation, and Postcolonial Perspectives, Minneapolis and London: University of Minnesota Press, 1997, pp. 240-52.
17. 6/19 後／殖民
Marilynn Lincoln Board, ‘Constructing Myths and Ideologies in Matisse’s Odalisques,’ in TED, pp. 359-380. 馬莉琳‧林肯‧柏德，〈架構在馬蒂斯奴婢畫上的想像和意識型態〉，陳香君、汪雅玲、余珊珊等譯，《擴充論述：女性主義與藝術歷史II》，台北：遠流，1998，頁689-729.
Valerie Smith, ‘Abundant Evidence: Black Women Artists of the 1960s and 70s,’ in WACK, pp. 400-413.
18. 6/26 End of Term Discussion（Final Paper Due）
Maura Reilly, ‘Toward Transnational Feminisms,’ in Maura Reilly and Linda Nochlin (eds.), Global Feminisms: New Directions in Contemporary Art, London & New York: Merrell & Brooklyn Museum, 2007, pp. 15-45.
六、參考書目
E. H. Gombrich, The Story of Art, Phaidon, 1995. 雨芸譯，《藝術的故事》，台北：聯經，2008新版。
Guerrilla Girls, The Guerrilla Girls' Bedside Companion to the History of Western Art, New York: Penguin, February 1, 1998. 謝鴻均譯，《游擊女孩：床頭版西洋美術史》，台北：遠流，2000.
Whitney Chadwick, Women, Art, and Society, London: Thames & Hudson, 4th edition, 1990/2007. 李美蓉譯，《女性、藝術與社會》，台北：遠流，1995.
Linda Nochlin, Woman, Art, and Power and Other Essays, London & New York: Thames and Hudson. 1989. 游惠貞譯，《女性、藝術與權力》，台北：遠流，1995。
Griselda Pollock, Vision and Difference: Femininity, Feminism, and the Histories of Art, London: Routledge, 1988. 陳香君譯，《視線與差異》，台北：遠流，2000。
Carol Duncan, Civilizing Rituals: Inside Public Art Museums, London & New York, 1995. 王雅各譯，《文明化的儀式：公共美術館之內》，台北：遠流，1998。
Mark A. Cheetham, Michael Ann Holly, and Keith Moxey (eds.), The Subjects of Art History: Historical Objects in Contemporary Perspective, Cambridge: Cambridge University Press, 1998.
Norma Broude and Mary Garrard, The Power of Feminist Art: the American Movement of the 1970s, History and Impact, Harry N Abrahams, 1994.
Rosika Parker and Griselda Pollock (eds.), Framing Feminisms: Art and the Women’s Movement 1975-1980, London: Pandora, 1987.
John Berger, Ways of Seeing, London: BBC, 1972. 戴行鉞譯，《藝術觀賞之道》，台北：台灣商務印書館，1993。另有吳莉君（麥田）；陳志梧（明文）；林鎮國（當代雜誌）等譯本。
Laura Mulvey, ‘Visual Pleasure and Narrative Cinema,’ Screen, 16:3, 1975, pp. 6-18.
Norma Broude & Mary Garrard, The Expanding Discourse: Feminism and Art History, New York: Harper Collins, 1992. 謝鴻均、陳香君、汪雅玲、余珊珊譯，《擴充論述：女性主義與藝術歷史I ＆II》，台北：遠流，1998。
Corneilia Butler (ed.), WACK! Art and Feminist Revolution, London & Cambridge, Massachusetts: The Museum of Contemporary Art, 2007.
劉瑞琪，《陰性顯影－女性攝影家的扮裝自拍像》，台北：遠流出版，2004，頁11-27；29-99。
Harrison G. Pope, Katharine A. Phillips, Roberto Olivardia, and Roberto Olivar, The Adonis Complex: The Secret Crisis of Male Body Obsession, Simon & Schuster Ltd; New edition edition, 17 Jun 2002. 但唐謨，《猛男情結》，台北：性林，2001.
Kobena Mercer, Dangerous Liaisons: Gender, Nation, and Postcolonial Perspectives, Minneapolis and London: University of Minnesota Press, 1997.
Maura Reilly and Linda Nochlin (eds.), Global Feminisms: New Directions in Contemporary Art, London & New York: Merrell & Brooklyn Museum, 2007.
七、相關連結
A. Exhibitions
WACK! Art and the Feminist Revolution
Global Feminisms: New Directions in Contemporary Art
B. Journals
N. Paradoxa_Journal
N. Paradoxa_Blog
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